I have done the state some service, and they know’t.
No more of that. I pray you, in your letters,
When you shall these unlucky deeds relate,
Speak of me as I am, nothing extenuate,
Nor set down aught in malice…
(From Shakespeare’s Othello, Act V, Scene 2, lines 339-343a)
In part I of this series, I provided an overview of Paul Robeson’s life in order for readers to begin to understand who we was. Robeson was a multitalented individual – an academic star during his undergraduate studies at Rutgers, an actor of great renown, and a singer with a power, singular voice. Based on evidence presented by Norm Ledgin in the book Asperger’s and Self-Esteem: Insight and Hope Through Famous Role Models, I also believe that Robeson was autistic. I will present that evidence in this post.
(Please note: Ledgin uses a summary of main points of the diagnostic criteria for Asperger Syndrome from the Diagnostic and Statistical Manual-IV. At times I will be referencing more specific criteria for Asperger Syndrome – 299.80 – as posted at the Centers for Disease Control’s website.)
Last Friday was the beginning of Black History Month. Amidst what we will be hearing about it in February 2013 — which tends to be everything ranging from the celebration of African-American historical individuals and events to the usual question of why the shorter year of the month was chosen for this celebration — I will certainly be adding my own voice to the chorus of writers and bloggers.
In my case, I am fascinated with Paul Robeson — one individual where autism and Black history intersect. I first studied African-American history in high school through a (what was considered groundbreaking) semester-long class and found myself introduced to history I had never encountered before. It is where I was introduced to the Harlem Renaissance. It was where I began to explore poetry and where my love of the craft began to take wings through learning about Langston Hughes, Paul Lawrence Dunbar, and Maya Angelou. And I recall a brief mention of Paul Robeson — giant of stage and song and inspiration to the likes of Sidney Poitier and Harry Belafonte. Robeson, best known for his portrayal in the title role of Shakespeare’s Othello, is proposed to have been an Aspie by author Norm Ledgin in his book Asperger’s and Self-Esteem: Insight and and Hope Through Famous Role Models. Ledgin compares some of Robeson’s behavior with the diagnostic criteria in the soon-to-be-superseded DSM-IV and concludes that Robeson fits the criteria for an Asperger diagnosis.
This month, I’m going to explore Robeson — who he was an an artist and a person, and through the lens of Asperger’s. Robeson was born in 1898 and died shortly before I was born (January 1976). I wonder — and would like to explore — about the reality he encountered as an African-American autistic in the early part of the twentieth century, and how that reality compares to the reality I encounter today as a multiracial African-American autistic.
And of course, this exploration will lead me to related questions. I know I am not the only African-American autistic out there. In my journeys over the last three years I have encountered some wonderful individuals, including record producer and autism advocate Michael Buckholtz. Logic dictates that he, I, and the few other individuals I have met cannot possibly be the only African-American Aspies out there. The big question in this case is: where ARE we? Through a bit of exploration, I hopefully may find some general answers (while being careful to respect the privacy of those who cannot be “out”) this month.
I hope you’ll join me on this fascinating journey this month. Hold on tight. It might be one heckuva ride.
In this series: